Embodied historiography
History carried through movement, testimony, cultural memory, and witnessed experience.
Presentations, performances, and public-facing research.

Movement does not illustrate the research.
It is one of the ways the research thinks.
Current strands
History carried through movement, testimony, cultural memory, and witnessed experience.
Avaz, tahrir, breath, pause, nonmetric time, and melodic phrasing as generators of movement.
The hidden infrastructures through which dance in Iran endured, changed, and entered public life again.
Upcoming
Dance Studies Association · 2026
California State University, Long Beach
October 23–25, 2026
Three Iranian dance scholars from the Iranian Dance Studies Working Group come together to examine the role of dance amid recent tragic events in Iran.
This paper examines a recent shift in how dance has appeared and functioned in Iran.
MENACASEA · 2026
Aga Khan Centre, London, UK
October 28–30, 2026
This paper examines the body as a site where sound, memory, and spirituality re-emerge in contemporary Iran, especially where public movement remains restricted.
Selected presentations
2023–2025
Lecture-demonstration · MENACASEA Symposium · 2025
Global Fusion Conference · Southern Illinois University · 2025
Solo · MENACA Symposium · Pomona College · 2024
Solo and lecture · Pearson Global Forum · University of Chicago · 2023
Current project · 2026–2027
Through movement research, musical exploration, documentation, and lecture-performance, the project creates a deeper dialogue between Iranian music, the body, and cultural memory.
Current research · Lecture-performance
This project develops a public-facing lecture-performance examining how censorship and underground conditions have reshaped the spaces, transmission, language, and embodied practices of dance in Iran.
Explore the project